of the 33rd degree

A windswept drive-in theater, where desert stretches out past the cinema screen as we sit transfixed- lit only by xenon and starlight.

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an-overwhelming-question:

Cristina García Rodero - San Vicente de la Sonsierra, 1979
de-salva:

Henry Moore - Draped Seated Figure (Art exhibition at Tate Britain on May 13, 2013 in London, England)
Photo by Warrick Page
germanpostwarmodern:

Auditorium Maurice Ravel (1972-75) in Lyon, France, by Henry Pottier & Charles Delfante
likeafieldmouse:

Isamu Noguchi - Worksheets for Sculpture (1945)

hifructosemag:

The bizarre, intricate installations of Chinese artist Fu Chunquiang, now on Hi-Fructose.

germanpostwarmodern:

Apartment Building of Electricité de France (1967) in Ivry sur Seine, France, by Atelier de Montrouge
an-overwhelming-question:

Shirley Baker - Salford, 1964
unavidamoderna:

Automovilística, Plaza del Sol, esquina de av. López Mateos y Mariano Otero en Guadalajara, Jalisco, México 1968 
Arqs. Eduardo Ibáñez y Alberto Ibáñez
Automotive Showroom, Plaza del Sol. Guadalaraja, Jalisco, Mexico 1968

likeafieldmouse:

Ai Weiwei

likeafieldmouse:

Monika Sosnowska - Corridor (2003)
fuckyeahbrutalism:

Senri Newtown Neighborhood Center, Suita, Osaka, Japan, 1964
(Junzo Sakakura & Associates)
gallowhill:

Tehching Hsieh, One Year Performance (Cage Piece), 1978-1979

likeafieldmouse:

Luo Changwei - Da Qin Island (2012)

"Da Qin Island was first set up by Chinese officials in 1924 as a colony to separate leprosy patients from the general population, but in 2011, the last 40 patients were transferred back to rehabilitation facilities in mainland China.

Before the move, Changwei traveled to the isolated island for several months to document the patients and their way of life.

The images reveal a marginalized group still coping with life on the outside. Da Qin Island was, and perhaps still is, a place frozen in time and hidden from most of the world, yet Changwei’s narrative also includes the beauty of the locale, albeit one whose wondrous beaches act more as a barrier than a place to bask in the sun.”

nattonelli:

Charles Ray - Man in Tree (1978)

ryanpanos:

EH | Rzemiosło Architektoniczne