A windswept drive-in theater, where desert stretches out past the cinema screen as we sit transfixed- lit only by xenon and starlight.

germanpostwarmodern:

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Pavilion of the German Glass Industry at Interbau 1957 in Berlin, Germany, by Fehling + Gogel

germanpostwarmodern:

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Iglesia de Santiago de la Chantrea (1969) in Pamplona, Spain, by Javier Guibert

humanoidhistory:

“Anti-space suit” in Melbourne, Australia, 1955. Photos by Gordon De Lisle.

(via)

darquitectura:
“ Guillermo González Zuleta, Julián Guerrero Borrero. Plaza de Toros Cañaveralejo (Cali, 1957)
”

darquitectura:

Guillermo González Zuleta, Julián Guerrero Borrero. Plaza de Toros Cañaveralejo (Cali, 1957)

no-leaving-newyork:
“Portal To A Black Hole - Diana Al Hadid
wood, plaster, fiberglass, polystyrene, plastic, cardboard, paint
118 x 158 x 167 inches 2007
”

no-leaving-newyork:

Portal To A Black Hole - Diana Al Hadid

wood, plaster, fiberglass, polystyrene, plastic, cardboard, paint

118 x 158 x 167 inches 2007

c86:
“Circle of Eakins - Thomas Eakins and students, swimming nude, c. 1883
”

c86:

Circle of Eakins - Thomas Eakins and students, swimming nude, c. 1883

germanpostwarmodern:
“Palm Springs Art Museum (1974-76) in Palm Springs, CA, USA, by E. Stewart Williams. Photo by Julius Shulman.
”

germanpostwarmodern:

Palm Springs Art Museum (1974-76) in Palm Springs, CA, USA, by E. Stewart Williams. Photo by Julius Shulman.

1989-disintegration:

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The Cure photographed by Peter L. Noble, 30. 8. 1981

zegalba:

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Isamu Noguchi: Slide Mantra (1986)

germanpostwarmodern:

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Melvyn Maxwell Smith Residence (1946) in Bloomfield Hills, MI, USA, by Frank Lloyd Wright

zegalba:

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Robert Smithson: Broken Circle (1971)

germanpostwarmodern:

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Apartment Building (1950) in Wuppertal, Germany, by Carl Ackermann

ortut:

Hahn Ai Kyu (한애규) - 어떤순간, 1997

germanpostwarmodern:

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Rose Auto Pavilion (1974) in Highland Park, IL, USA, by David Haid

scanzen:

Gas station – Milan Mihelič / 1968 (Tivolska cesta 44, Ljubljana, Slovenia)

photo: me